By George- History Is Trending!

During Lockdown, many of us submerged ourselves in the Regency times whilst watching Bridgeton created by Chris Van Dusen and Shonda Rhimes and based on the romance novels of Julia Quinn. We have since binged watched the second series and a third is coming soon and these just get better and better! Anything that’s gets folk interested in history can only be a good thing.

Whilst not strictly historically correct, it was visually pleasing, very entertaining and totally watchable escapism. It also created an interest in the history of this period. The Georgians witnessed the birth of industrialisation; radicalism and repression and extreme luxury alongside extreme poverty. Bridgeton, shows the formalized courting season in London in 1813, as wealthy high-society family’s scheme to pair off their eligible offspring. Showing the Ton, from the French phrase le bon ton meaning in the fashionable mode, or the In Crowd in our modern terms, at its best and worst.The Regency is the period of social and cultural development seen by many as a glorious epoch in British history. As the First Gentleman of Europe the Prince Regent actively encouraged many of the new movements in painting, sculpture, decoration, literature, music, technology and science.

In the last decade many historians have become fascinated by the similarities between the eighteenth century and our own times. The free-wheeling commercial development of the Georgian era, its unabashed enjoyment of consumption of all kinds and the importance of newspapers and magazines in everyday life. This also was the beginning of the culture of celebrity, as Georgian’s held an obsessive interest in all kinds of fame.  

The Georgian era is from 1714 to 1837 and named after the Hanoverian Kings George I, George II, George III and George IV. The Regency period was from 1811 to 1820 when George, Prince of Wales, governed the country as Regent during the madness of his father, George III.

This was a period of great change, as cities grew, trade expanded and consumerism and popular culture blossomed. Known for its lavish fashions, sumptuous food and decadence. In high society, the more over the top the better, best shown in Sofia Coppola’s film, Marie Antoinette in 2006 which was the retelling of France’s iconic but ill-fated French queen. The excess of the period ended with Marie Antoinette’s head been lifted off by its pomaded pomp for a Republican crowd. The Georgian era was a period of ostentation and inequality when it was fashionable for both men and women to flaunt their wealth with excessive displays of hair and beauty products. The more elaborate it was, the longer it took to do, and the more expensive the ingredients, the better. Men’s fashion was equally flamboyant to match the liberal period they lived in with powdered wigs, collared frock coats, and the early to mid-1800s Beau Brummel provided a fashionable figure to follow in terms of what to and what not to wear. It was the last time in history that male attire was as elaborate as women’s making Harry Styles appear quite conservative by comparison.

 On BBC’s twos Make-up a Glamourous History, with Lisa Eldridge, a professional make-up and Global Creative Director for Lancôme, explores what the beauty of the time reveals about the era. Discovering how in this period of extreme wealth in Britain, the rich entered an arms race of beauty. Eldridge tries out all sorts of Georgian recipes with crushed beetles, seashells and bear grease. (Which she substituted with a vegetable oil) Later, she recreates an authentic Georgian look on a 21st century model, with towering hair and whitened complexion. (Without, using toxic lead powder like the Georgians). It had been known for a time that some ingredients such as lead and mercury were very harmful to health, but were still used by many. Pale skin was considered a sign of wealth as it meant you didn’t have to work outside.  Eventually, zinc oxide and talc were used to whiten the face, which was less opaque and relatively less harmful.

Sometimes, additional facial adornments were used to emphasize a fashionable pallor included a small black mole, little clippings of dark velvet, silk or glossy silk applied to the face as a flirtatious embellishment, sending a possible suitor a message about yourself. However, it was said that a promiscuous manner of patching may be productive of ill consequences and ruin many a fair character. These also had the advantage of concealing unsightly pox scars or blemishes. For women, cosmetics were an essential fashion accessory, enabling them to express their status and cultural refinement by emulating the latest modes in female beauty. Members of the aristocracy were often criticized for their heavy-handed use of face-paint. The Georgian look might be ravishingly beautiful but was insanely time -consuming. That was the point. Only the very richest could afford the time and products and this was a period of staggering inequality.

The French Revolution (1789-1799) had the biggest impact on women’s Regency makeup. For a start, it swept away the widespread and extravagant use of makeup that was associated with the decadent aristocracy. The Regency period had a more delicate appearance which extended to the hair, with wigs and enormous headpieces falling out of fashion, curls, feathers, and natural hair were prized. The upper classes wanted their daughters to look respectable and be pleasingly natural, think of Jane Austin.

Beauty and fashion can be seen as a frivolous subject, but what we believe to be beautiful is a window on the world we’re living in and a reflection of society and social history. Personally, I find it fascinating. I worked in a Georgian House Museum, and therefore learnt a lot about this period. If you are interested in finding out more: Amanda Vickery, Lucy Worsley and Annie Gray all write interesting accounts of the time.

Make-up a Glamourous History

“Make-up can be seen as a frivolous subject.  But I think it’s hugely important. What we believe to be beautiful is a window on the world we’re living in.” Lisa Eldridge

As a professional make-up artist and Global Creative Director for Lancôme and the presenter of Make-up a Glamourous History on BBC2, Eldridge has a wealth of experience and passion. Over the course of this three-part series, she raises her scholarly spectacles over early make-up and beauty trends and provides an illuminating guide through the evolution of facial fashion, from the early 18th century up to the Thirties. The beauty looks of three periods in Britain are explored and what it reveals about that era: Georgian, Victorian and The Roaring Twenties. You may think make-up is a frivolous business, but Lisa Eldridge argues that what someone puts on the face and why says a lot about the time they live in.

She trawls through the history books and re-created products we haven’t used for decades. There are recipes with crushed beetles, seashells and bear grease (which she substituted with a vegetable oil). She tests them out first on herself and then on a lovely, young model called Queenie. Eldridge really sells her sensory delight in the products and her curiosity about what they meant to the women of the past. The pharmacist Szu Shen Wong, was drafted in to make the more tricky or toxic products in her lab.

It shows the growth of the beauty industry and the start of companies like Boots and the No7 range, which brought beauty to woman of all classes and not just the wealthy, upper and middle classes. Launched by Boots in 1935 as a selection of eleven skincare products this was then expanded in 1937 with some colour cosmetics. The name was reportedly chosen due to the fact that the number seven was often used to signify perfection. It was one of the first brands to really open up beauty for mass audiences and was made available to the ordinary woman. In 2016, Boots celebrated eighty year’s, they continue to sell and hopefully will carry on for many more years to come!

Many lower-class women had to make their own beauty products, in the Victorian age, cleanliness was hugely important and soap became more easily available and used. But beauty products and make-up were only for the rich and wealthy and still had to be purchased secretly as the use of these was seen as immoral. So many upper-class women purchased these under the counter, disguised as medicinal items. Women were expected to be beautiful but only by natural means. To use beauty products or cosmetics was not acceptable to society, only prostitutes and actresses used them. As we all know, even those blessed with natural good looks, still need some help at times, and it must have been impossible for women at the time to follow the rules of Victorian society whilst achieving the expected levels of beauty.

Selfridge & Co. opened its doors in London on the 15th of March 1909. The owner, American, Harry Gordon Selfridge, wanted to make retail exciting and available to everyone.  Selfridges, was the first store to bring beauty products to the front of a department store. Selfridge wanted women to be able try the products rather than them being hidden behind a counter. This was very forward thinking at the time and was to totally change the way retailers sold beauty products, as his competitors rushed to copy him. He supported the rights of women, even though this caused him ridicule. I think that the beauty industry was starting to encourage women to be more independent, rather than the early views of women looking pretty for their husbands, it was more modern to look good for themselves. Just been able to openly purchase beauty products was liberating for them.

This is social history at it’s best and for anyone interested in the world of beauty, unmissable. Surprising, although we wouldn’t want to go back to some of the toxic ingredients used, some of the more natural ingredients were very successful. So, as the beauty industry changes, and moves away from its reliance on chemicals, perhaps it also needs to look through historical archives as our ancestors could teach use a few things about making natural skincare and cosmetics.

We take it for granted that we can just go into a shop and buy the products we need or want and for most, historically this wasn’t available to women, in particular working-class women for quite some time. I loved this series, and hope that it returns to discuss, beauty in the forties and current times too.

It’s available to view on BBC iPlayer.

The Growth of Spa Towns

I used to live in Harrogate, where you could often smell the sulphur, which is not, I have to say, the most pleasant of scents. When my brother lived in Bristol, I regularly visited nearby Bath. (My favourite UK city) Famous for the history of its spa, playing a large part of its popularity as a tourist centre. There is something very quaint and English about spa-towns.

Britain has a rich, long history of spas. With many legendary past followers: Elizabeth I, Florence Nightingale, Oscar Wilde, Charles Dickens and Jane Austen, spas are as much a part of our culture as saunas are to the Scandinavians. Many towns owe their growth and prosperity to the fact they became spa- towns. (This is a resort town based on a mineral hot spring with supposed health benefits) Bath, the most famous of Britain’s spa towns, was used for health purposes as far back as Roman times. However, Elizabeth I, was instrumental in reviving spas after visiting Bath in 1574, she declared that the public must always have access to the springs. Her royal seal of approval set the trend amongst the respectable classes. The heyday of spa- towns was during the Georgian and Regency periods. Spa resorts of the 18th Century needed to meet the eccentricities and glamour of their visitors. The Georgian love of sumptuous living and bawdy houses, did make the boundaries between a health resort and a place of assignations a little blurred.

In the 18th and 19th centuries spa -towns were expanding rapidly. Thatched cottages disappeared to be replaced by elegant, classical styled, sash-windowed residences. During this time many places went from been tiny villages to the very forefront of high fashion. The chic places to be seen in the season, a place where visitors could bathe, drink the famous waters, gamble, eat, drink, dance, do business and broker marriages. Assembly Rooms were for political intrigue and hearing the latest gossip as much as dancing. Spas were part of the conspicuous leisure consumption that coincided with the rising bourgeois classes having a life of leisure because of their new-found wealth. The social mix encompassed all sorts of characters: aristocrats, merchants, bluestockings, respectable matrons, servants and chancers.

In Mansford’s specialised guide for invalids. He warns that standing around in the cold, wearing inadequately fashionable clothing, is not good for the ‘languid circulation of the semi-animate valetudinarian‘. Spas rose in perceived value the more articles that had been writing by leading Physicists.

The well- known spa towns include: Buxton, Tunbridge Wells, Cheltenham, Harrogate, Bath and Leamington Spa. Many of these still retain echoes of their past grandeur.


The Fifth Duke of Devonshire wanted to establish a fashionable Georgian spa- town in Buxton, so he enlisted John Carr, a leading architect, to build Buxton Crescent. Built in 1780, it rivalled the Royal Crescent in Bath. The forerunner of today’s hotels, comprising not just of rooms but shops, restaurants and Assembly Rooms. Buxton spring water is still bottled locally and today is as ever popular.

Malvern- Worcestershire

Many Victorian physicians strongly believed that through rich mineral spring water, Mother Nature had created a cure for any disease. The town of Malvern seized upon the trend, and in 1842 two hydropathic doctors created the Malvern Water Cure, a dedicated hydrotherapy treatment to stimulate lymphatic drainage. The cure was a huge success. Queen Victoria demanded bottled Malvern Water during her royal tours.

The scientist and naturalist Charles Darwin visited the Malvern’s springs in in 1849 when feeling under the weather. After four months of cold scrubbing and other treatments, the scientist concluded, “I consider the sickness as absolutely cured. The Water Cure is assuredly a grand discovery.”

The local waters, filtered through the pre-Cambrian granite of the ‘Alps of England’ became famed for their low mineral content and great purity. Today they are bottled at Holywell, though many a walker is delighted to find the waters flow freely in springs around the hillsides.

Leamington Spa

Before the 1800’s the town of Leamington Spa was just a rural village, but the rediscovery of its saline springs in 1784 led to the building of the Royal Pump Rooms, baths and assembly rooms. The spring waters were claimed to cure and relieve stiffness of tendons and rigidity of the joints.

(Royal) Tunbridge Wells

The spring at Tunbridge Wells was discovered by accident by a young nobleman, Dudley Lord North in 1606. After travelling back to London with a raging hangover, he tasted the water at the nearby Abergavenny Estate and felt miraculously recovered. By the 18th century the fame of the water had spread and the town rivalled Bath as the place to see and be seen. The Stuart English Court often made the 50-mile trip from London to Tunbridge Wells, fondly known as the courtier’s spa. In the pursuit of health, one could now find both a commoner and a lord bathing in the same hot springs together. Its Charlybeate Spring (derived from the Latin word for steel) contains a particularly high iron content. The town still retains much of its original charm and elegance. You can visit the well in a building called The Pantiles, a Georgian colonnade, and sample the iron-rich waters of the Charlybeate Spring for yourself.

Cheltenham- Gloucestershire

 In 1833, King George III famously shunned the spa capital of Bath in favour of the little-known Cheltenham. This royal endorsement changed the town’s fortunes forever and soon, people of great fortune and nobility were rushing to sip at the new spa. Business in Cheltenham boomed. Rival wells and spas, accommodation and leisure facilities were opened. The town’s spas often held gala fetes and firework displays and its tree-lined walks were perfect for well-to-do visitors to promenade. Assembly rooms, theatres and racecourses were also on hand to keep the respectable classes entertained. Notable celebrities continued to sample the waters well into the 19th century.

Harrogate- North Yorkshire

Harrogate’s Turkish Baths are an illustration of the Victorian love of the Oriental; Moorish arches, elaborately patterned glazed tiles and a series of exotic steam rooms and plunge pools. The iron, sulphur and salt-rich waters in Harrogate were discovered in 1571, and in the 1700s the town became increasingly famous. A theatre and a pump room were built to provide entertainment for the well-heeled visitors, who numbered in their rank’s royalty from across Europe. Although the original building is still standing, it houses a pub and restaurant as well an award-winning spa, that you can still visit today.


Although it was the Romans who initially discovered Bath’s natural springs, naming it Aquae Sulis and developing it as a sanctuary of rest and relaxation, it was during the Georgian era that it reached its prominence. Princess (later Queen) Anne visited Bath in 1688-1703 to take the waters and soon it was marketed as the premier resort of frivolity and fashion. Jane Austen featured the spa town of Bath in two of her novels. Although taking the waters for your health was popular during the Georgian period It was often an excuse for high society to mingle and show off the latest fashions and attend the theatre and parties. The famous Georgian dandy Beau Nash became Master of Ceremonies in Bath. It is pre-eminent in historical heritage as a Unesco world heritage site which is still open to the public.

In the 20th Century from being the centre of social and fashionable society, the spa industry stagnated. With competition from overseas resorts and the impact of the economic depression in the 1930s, spa visitors dramatically declined. The medicinal benefits of spas were questioned and spa therapies became excluded from the National Health Service. By the 1950s, leading spas like: Buxton, Cheltenham, Tunbridge Wells and Malvern closed their doors to the public.

Today, we can see the popularity of wellness having a huge influence on the way we now view spas. They are not just an indulgence, but an essential element of holistic wellbeing, soothing the mind, body and spirit.

I couldn’t agree more!